Showing posts with label synth pop. Show all posts
Showing posts with label synth pop. Show all posts

Thursday, 10 December 2009

Favourite Albums of 2009


Greetings readers,

I hope this finds you well, and glad to see you have not deserted me entirely given my reasonable hiatus from this blog. I have recently set up a new blog (serial blogger, I know) at the LSE which has somewhat pre-occupied me, but I have resolved to give this more love and attention from here onwards. The prodigal son has returned.

OK, so onto business. Well, I wanted to share with you my favourite albums of 2009. Some of these are actual releases from this year, some are older, but they constitute my favourite, and likely most listened to albums of 2009. Yougetme? Plus I just don't have enough time to listen to enough new music these days. Well, that's my excuse anyway.

1. Fever Ray - eponymously titled [2009]
2. Fuck Buttons - Tarot Sport [2009]
3. Philip Jacaszek - Treny [2008]
4. Animal Collective - Merriweather Post Pavillion [2009]
5. Mogwai - The Hawk Is Howling [2008]
6. Bon Iver - For Emma, Forever Ago [2008]
7. The XX - eponymously titled [2009]
8. Sigur Ros - Með suð í eyrum við spilum endalaust [2009]
9.
TV On The Radio - Dear Science [2009]
10. múm - Finally We Are No One [2002!]
11. The Field - Yesterday and Today [2009]
12. The Antlers - Hospice [2009]
13. Grizzly Bear - Veckaitimest [2009]
14. Little Dragon - Machine Dreams [2009]

Clearly I have a thing for Swedish and Icelandic electronica!

I promise to accompany each album with a little personal review when I eventually have some proper time but one must prioritise...

Peace,

F.

Sunday, 12 July 2009

Las noticias y revisión de música

Hola amigos,

Thanks for tuning in once again to this slightly Spanish-influenced blog, I'm sure you have noticed (title meaning - "News and music reviews"). So, I have been back in Blighty for a couple of weeks now, and have acclimatised to the real world. My States high has well and truly ended but has certainly left with me an indelible imprint: I am sure that the recent music that I have been listening to has, on reflection, been noticeably influenced by my three weeks over the other side of The Pond. Though this could easily be explained by the fact that I have been reading Pitchfork Media quite frequently, and heeding many of their album reviews. A combination of both probably.

Anyway, onto new music. Well, over the last couple of weeks I have discovered quite a few new albums, including Luomo's "Convivial", various albums by M83, Apparat's "Walls" and perhaps most importantly, Grizzly Bear's recent offering. So having read the recent PM review of Grizzly Bear's most recent album release, "Veckatimest", who gave it 9.0, I had to download the album. The band itself are Brooklyn based, and are actually on Warp Records, which was another reason I was drawn to them. Anyway, according to Wikipedia, their sound is categorised as "experimental rock, folk rock and is most dominated by the use of acoustic guitars and vocal harmonies". I concur. I would say that they sound a little bit like a cross between The Beach Boys ("Pet Sounds"), Fleet Foxes, Arcade Fire and Animal Collective. I am certainly digging the whole experimental, psychedelic, folky sound at the moment, particularly because it is quite chilled and downbeat (which is good for my current period of introspection). My fave tracks on the album are "Ready, Able", "Two Weeks" and "While You Wait for the Others", though on my second proper listen, the album is really growing on me. Anyway, as if not to big up the album enough, Fleet Foxes hailed "Veckatimest" as album of the decade, whilst Grizzly Bear are Jonny Greenwood's favourite band. Plaudits done. Go check out the album if you are into any of the above bands I have just mentioned and want something with beautiful vocal harmonies, amazing song structures, gorgeous orchestral arrangements and loads of depth.

The other band that I want to mention is M83. I was surprised to discover this band had been around for the best part of a deacde with quite a prolific back catalogue. This is especially since I am pretty into the whole shoegaze electronica scene. Anyway, the band is/was comprised of two Frenchman, Anthony Gonzalez, and formerly Nicolas Fromageau, and was formed in Antibes in 2001. M83's most recent album, "Saturdays =Youth" sounds more like avant synth-pop that any kind of shoegaze electronica, and I simply can't get enough of arguably the standout track, "Couleurs", which is this dance-floor oriented, epic, eight and a half minute synth-pop anthem. It's blatantly a little cheesy, but sometimes that's all you need and want. From reading reviews and one cursory listen, I imagine that M83's magnum opus is probably their album from 2003, entitled "Dead Cities, Red Seas & Lost Ghosts", which sounds like it would nestle in nicely between Ulrich Shnauss & Brian Eno. I.e. it is a beautiful, textured, soundscaped album with more than a hint of ambient eletronica. I defninitely need to spend more time on it.

Other albums I have recently been listening to include Apparat's "Walls", which is a lovely piece of mostly vocal-driven downtempo electronica, and Luomo's "Convivial", which is a very interesting and slickly produced house album. Kind of reminds me of German/French producers like Isolée and I:Cube, though I wouldn't necessarily put the album into the "micro-house" genre.

So, onto other affairs. Well, I recently received an offer from the LSE to study the MSc in International Health Policy which I am very pleased about. Have now accepted the offer, and am starting to make arrangements; think I will move back to London around mid-September, as the course begins at the end of the month, in effect. Am thinking of going for a flatshare with randoms in Hackney - this will hopefully be relatively cheap, easily accessible on the bus to Aldwych (LSE) and near most of my friends. Am obviously a little tentative that I will be living on a student's budget, but well, that will be part of the challenge. Anyway, I genuinely feel that I have reached a level of maturity where I will be able to take everything in my stride, and certainly have the drive to do such a course right now. Am also glad that my general boozing and hedonism is well under control! I think as an undergraduate (and even doing my first Masters) I was simply too pre-occupied with partying and boozing all the time. So there is no doubt in my mind that I will be going for a dictinction, and at the very least, a merit. We shall see.

I think the only other thing worth mentioning is the fact that I am intensely learning Spanish, courtesy of the Rosetta Stone programme, which I have recently acquired. After just a week's intense learning, I must say that I am extremely impressed, and had I paid the £350 odd for levels 1-3 (!), would probably have considered this value for money. In a nutshell, the programme teaches you Spanish in the way that you first learned your mother tonuge. I.e. by constantly making associations with pictures and objects, and by using clever patterns and cues. I am particularly enjoying the way that the programme starts with simple words relating to real-world objects and people, and then starts to build upon this, to form proper sentences. I am aiming to complete all three levels by studying an average of about one hour a day over the next two months or so. I will then hopefully be ready to enroll on the fast-track Modern Foreign Language course at intermediate level at the LSE (in conjunction with my main course). This will entaal 2 hours per week of teaching over 20 weeks, incorporating assessments throughout and at the end. As long as I am dedicated, I should be able to achieve this, and hope to be reasonably conversational come June next year. I am certainly very excited by this prospect, and will probably join the Spanish society, not least so I can converse with hot Spanish/Latina women!

Anyway, I'm all out of words, and my neck is starting to ache.

Hope you're all good in the hood.

Peace,

F.

Wednesday, 27 May 2009

More music musings...


So,

Here I am again, after just a day's break. Clearly I have much to talk about. Further to my last post, I'd like to talk more about some of the amazing music I have been listening to. Where to start?

Well, currently I am listening to Fever Ray's eponymously titled debut offering. For the uninitiated, Fever Ray is Karin Dreijer Andersson, one half of the sibling duo, The Knife, who many of you will know. There are definitely similarities in the production style with The Knife, namely that the music is still basically synth-pop, all arpeggiated and such. But unlike The Knife's techno leanings, Fever Ray goes down the haunting, ethereal gothic route. Not that I am expert mind, but I can certainly hear The Cure and Depeche Mode in there. And maybe even Ryuichi Sakamoto. Although this is much more chilling. Apparently it's the sound of a new mother's sense of frustration and isolation when still awake with child in the middle of the night. And boy, can I sense that. Brrrrr! But the production is absolutely amazing. And the album is growing on me with every listen.

What else have I been listening to? Probably too much to tell for one blog, but would definitely have to single out Fuck Buttons' debut album offering, "Street Horrrsing" as absolutely incredible. The Bristol duo have certainly put out a shimmering, magisterial post-rock effort of epic proportions. Basically, if you like Mogwai, you will probably like Fuck Buttons. Although dare I say it, FB have slightly more "dancey" elements and incorporate more melody, so may be easier to digest for anyone new to the "soft-loud" dynamic sound that Mogwai basically invented. All the tracks are absolutely incredible, and average about 8 minutes in length, so not for the fainthearted. The standout track is probably "Bright Tomorrow" which incorporates a steady 4x4 kick-drum, slow, chugging synths, brooding visceral guitars, and ends with the sound of a screaming, eerie tortured voice all laiden on top. Crescendo is certainly the word. Amazing. Oh yeah, and I absolutely love FB's abstract artwork (see above), which has definitely been given my mate Ben's seal of approval (and he is a graphic designer don't you know).



Other albums I been listening to recently include Junior Boys' latest release, "Begone Dull Care", which continues the Canadian duos interesting and well produced retro synth-pop sound. And TV On The Radio's latest album, "Dear Science". Now granted, this was a bit of a wild card for me, especially given I don't listen to that many bands. But having been given 9.1 by Pitchfork Media, I had to take this seriously. And after a few listens, I have deifinitely got into the sound. I guess I would describe TVOTR as rock, but with some electronic leanings, which is probably why I rate them. Some real standout tracks, including "Love Dog" which is like a beautiful, lullaby. Have really fallen for Tunde Adebimpe's voice. Very soothing indeed.

I suppose the album I have been most looking forward to has been Nathan Fake's eagerly anticipated sophomore effort, "Hard Islands". Don't think I need to harp on about how bloody good "Drowning in a Sea of Love" was. Electronica shoe-gazing at its finest. Apparently, Nathan Fake produced that album whilst still living with his folks in Norfolk, whilst his second album offering was produced from his new abode in Hackney. And boy can you tell. It is a much tougher, hard-edged prospect. Pretty much techno, though with the Nathan Fake/Border community IDM tag stamped all over it. I.e. still very interesting production, still with shoegaze elements and has plenty of glitch. That said, I have been pretty disappointed. The tunes just aren't as catchy. No really discernible melodies as far as I can hear. Think the standout track is "Fentiger", the last on the album, that has a big synthy breakdown mid-way through, that probably most resembles stuff from the first album. Don't get me wrong, Hard Islands is still a decent album, but it was always going to be hard to match the amazing effort of DIASOL. Will be interesting to hear what Nathan Fake's third LP is like. Though not sure if I can wait another 3 years...

Well, that's about it for now. Could drone on a lot more, but my neck is starting to ache.

Next blog: I wll probably be talking about quite how much I am enjoying watching "The Incredible Human Journey" on BBC2, presented by Dr Alice Roberts. It is absolutely fascinating, and should be of interest to anyone who has ever thought about where modern homo-sapiens has come from, and how we have adapted and evolved into different races, cultures and creeds. Plus Alice Roberts isn't exactly hard to look at, though don't want to sexualise someone who is clearly a proper scientist. Still, I am a red-blooded male...

Peace,

F.